|Posted by Sarah Amador on December 21, 2016 at 1:05 PM||comments (2)|
(To read this on my 101 Things To Do Travel Blog, visit http://101things.com/winecountry/up-away-in-sonoma-county/)
By Sarah Amador
My husband and I left in the dark in order to meet our pilot and fellow adventurers at 5:30 a.m. in Healdsburg. For hot air ballooning, flights are scheduled early in order to cut down on wind. When the sun heats the ground, it creates wind. Hot air balloon pilots don’t like to take off in wind because it can create dangerous situations, such as the basket being dragged too quickly when trying to take off. We walked inside Healdsburg Shed Café and were welcomed by our pilot, Armand Oconnor. There was also delicious banana bread and coffee waiting. We chatted with our other adventurers; we were all very excited. We were about to take part in the oldest form of human flight! No one was taking motion sickness pills, since people don’t get airsick on hot air balloon flights. Passengers experience no sense of motion because the balloon moves at the same speed and direction as the wind.
“You’re part of the air mass,” our pilot Oconnor said. “You feel nothing except when you land.”
Oconnor experienced his first hot air balloon ride just seven years ago. He was hooked and went on to obtain his pilot’s license. After 1,000 hours piloting hot air balloons, he is expert in his field.
Soon it was time to go, and we climbed into the company’s van. Our destination was Sonoma County Airport. We arrived at sunrise. A crew was already there, setting up our basket. Sectioned in five compartments, the basket (or gondola) can take up to 16 passengers; there were 12 of us that day. The basket is made of rattan, reinforced with a huge cable weaved throughout it. The average hot air balloon has the ability to lift about 1,400 pounds, depending on the outside air temperature. The cooler it is outside, the more the balloon will lift. The heated air inside makes the envelope buoyant since it has a lower density than the cold air outside.
The crew released helium balloons to ascertain the wind direction and speed. We watched the two small balloons float up, up and away, and then disappear. The crew decided that the conditions were still good, and they continued flight preparations. Today we would be using 40 gallons of propane. We would be firing 45 million BTU’s (units of energy). We’ve come a long way from how the first flight was conducted in 1783. On that historic date in France, the Montgolfier brothers filled their basket with damp straw and manure, shredded wool, old shoes and spoiled meat. Then they set it on fire, doused the balloon with water so it wouldn’t catch fire, and watched it take off. Apparently, the soot also helped the fabric of the balloon hold in heat.
While we waited on the airstrip, the crew unfurled the balloon from the back of a moving truck. Next, three giant fans were brought out. It was time to inflate the balloon, or “envelope.” The average hot air balloon is 80 feet tall and at the widest point, 50 feet in diameter. It was spectacular to watch the enormous balloon fill with air and rise. Flames of propane were fired, and the balloon rose even more, until it was about eight stories tall.
Now the balloon was ready. Oconnor called us over, and we all quickly climbed in. Once we were inside the gondola and holding onto the hand grips, Oconnor gave a few blasts of flame into the center of the balloon, and the entire gondola gently lifted off the ground. And that was it. We began moving gently along the airfield, lifting higher and higher.
It was strange to be in an aircraft that the pilot isn’t able to steer.
“I can’t steer, but I can orient. I can change altitude,” Oconnor said, pulling on lines connected to valves in the balloon, opening and closing them in order to release hot air.
This helped him utilize the varying directions of wind. The average balloon flight covers about two miles distance at about five miles per hour. We floated above homes, vineyards and countryside. We rose to a total height of 1,200 feet. (The world record for altitude in a hot air balloon is 64,997 feet.)
That morning I saw Sonoma Valley as I’ve never seen it before. The valley floor spread out beneath us, the surrounding hills studded with trees and vineyards. Soon we saw the blue sparkling waters of Riverfront Regional Park. We saw a hawk, a couple of rabbits and a large buck. We watched our balloon shadow make its way across the golden fields. It was a good day to be in a balloon.
When it came time to land, I was grateful I did not live in a time when farmers rushed out with pitchforks and attacked the balloons. (This used to happen, as farmers thought the balloons were demonic!) Oconnor landed our balloon expertly although there was already seven miles per hour of wind. The balloon made contact with the earth with a bump. Then it was time to quickly climb out, before the wind moved the balloon again.
Afterwards, we were driven back to the Shed. There we toasted to a successful journey with mimosas and champagne. (This tradition was first made in France in order to appease farmers who didn’t like balloons setting down on their land and crushing crops.) Then we feasted on fresh farm to table vegetable frittatas, small potatoes, sausage and bacon, yogurt with granola, and some of the tastiest strawberries I have ever had. The strawberries came from the Shed’s farm.
It was a wonderful way to end a flight of a lifetime. To book your adventure in the sky, visit up-away.com or call (707) 836-0171 for Up & Away Ballooning. Another great company for hot air ballooning is Calistoga Balloons. You can contact them at https://www.calistogaballoons.com or call (707) 942-5758.
|Posted by Sarah Amador on May 13, 2016 at 11:40 AM||comments (0)|
photo by Eric Chazankin
If you are mesmerized by mermaids, the sea or a good love story, then you will truly treasure Spreckels Theatre Company’s production of Disney’s The Little Mermaid (April 29 – May 22).
I took my nine-year-old friend Hannah, and it wasn’t long before I understood how timeless this tale is. We can all identify with a yearning heart, a dream of something unknown, a wish for adventure.
Based on Hans Christian Andersen story, this story is nearly 200 years old. However, where the Andersen story turns gruesome, the Disney script picks up and spins towards a happy-ending. I didn’t think I could ever feel caught inside a Disney story, but immersed I was, from the first scene to the finale. Everything shimmers, glides, glows and bobs. The birds fly and tap dance. The special effects all but drown you in another reality. All of your favorite songs from Disney’s Little Mermaid come to marvelously to life, such as “Under the Sea,” “Part of Your World,” “Kiss the Girl” and “Poor Unfortunate Souls.”
photo by Eric Chazankin
Ariel, played by Julianne Bretan, is lovable—her face continually lit with a sweet yet earnest smile, her singing clear as a bell. She is also a look alike for actress Sierra Boggess who played first played Ariel in the 2007 Broadway show. The entire cast’s singing was excellent. Jacob Bronson is perfectly cast as gallant Prince Eric, his voice strong and deep. Ursula, played by Mary Gannon Graham, is evil but charming, coquettish and vindictive. I saw Graham last year in Mary Poppins, when she superbly portrayed the bad nanny, Mrs. Andrews. Her voice, like last year, was strong and rich. I said then that I would gladly see anything Graham was in, just to hear her sing, and I stand by that statement. One of the more powerful songs in the play is the quartet, “If only,” sung with gusto by Ariel, Prince Eric, Sebastian, and Triton.
Similar to Broadway, the Spreckel’s production includes the ingenious footwear that includes wheels developed for this play. Dubbed “merblades,” this invention creates a gliding motion for the undersea characters, so they appear to swim or dart across the stage. However, this production goes further than the Broadway play. Not only do they use wires to portray flying birds or princes falling into depths of the sea, but they utilize the Paradyne projection system uniquely developed by Spreckels Performing Arts Center. Combining still images and animations, this system creates multiple backdrop effects. Picture Ariel singing below the sea while great googly-eyed fish swim behind her; a giant moon rising and dancing over shimmering waves while Prince Eric sings longingly of love; a palace’s great columns and vaulted ceilings arcing overhead as Ariel experiences being human for the first time.
photo by Eric Chazankin
With the very first scene, Eric’s Ship, I was engulfed by another reality. The ship is at sea, dwarfed by rolling waves behind it and around it. A storm descends, the waves crash and surge. The effects are so good that I found myself looking carefully to see if, in fact, the ship was actually moving. I even felt a little seasick. I found myself thinking that for another laugh, the company could have added a gag prop of motion sickness bags placed on the armrests of the seats.
Projection engineer and green screen tech Morgan Hamilton-Lee did a fantastic job. In one of the last scenes, we watch Ariel fall from stage onto projection screen, seemingly falling far below into the belly of the sea. This could only be created with a green screen. In one of the Prince’s solos, Her Voice, there is an actual shimmering effect of moonlight overlaid upon an animated projection of rising and falling water. For a spell, I actually felt like I was at one of my favorite seaside coves on the Sonoma Coast.
photo by Eric Chazankin
The talented award-winning team of directors has done it once again. The audience is provided with an adventure of the highest order with ultra-creative Director Gene Abravaya (also responsible for the projection design), choreographer Michella Snider, costume designer Pamela Enz, music director Tina Lloyd Meals, and set designers Elizabeth Bazzano and Eddy Hansen. It’s easy to see why they have won awards from San Francisco Bay Area Theatre Critics Circle for Best Stage Direction of a Musical (Gene Abravaya), Best Lighting Design (Eddy Hansen), and Best Set Design (Eddy Hansen and Elizabeth Bazzano).
Choreographer Michella Snider showed originality by replacing dancers in place of backdrops. For example, instead of having a painted backdrop of Ariel’s collection of human belongings in her cave (as in the Broadway play), the items were sewed onto suits worn by actors. Later, these same actors donned seaweed suits, and then moved to simulate flowing seaweed. During Kiss the Girl, the actors were in suits of white lily pads, and spun around Eric and Ariel’s boat in a ballet performance complete with splits and pirouettes. The choreographed scene of Chef Grimsby trying to catch Sebastian for dinner was also a favorite, and had the audience laughing from beginning to end.
Costume designer Pamela Enz went overboard with creativity (just as she did in Mary Poppins). How do you make an umbrella into a jellyfish? With lights, translucent flowing fabric—really, I don’t know. You’ll just have to go to the show. She artfully created an undersea world, animals, and period pieces.
And of course the live music was fantastic.
At the finale, when the love story culminates in “boy finding mermaid-turned-girl” and at last they kiss, a shiver ran through me. I glanced at my young friend, Hannah.
“Are you crying?” she whispered.
“No,” I said. “Are you?”
She nodded, her eyes tearing. “I’m really emotional.”
I leaned closer and confided, “I’m not crying, but the hair on my arm is standing up on end!”
As we walked out of the theater, I asked Hannah what she thought of the play.
“Verrry creative,” she reflected, going on to talk about how cool the “merblades” were.
“Anything else?” I prompted.
“When boys can sing,” she said, “they’re amazing.”
To buy tickets for The Little Mermaid or for upcoming Spreckels’ productions at Spreckle’s Performing Acrts Center in Rohnert Park, visit http://www.ci.rohnert-park.ca.us/index.aspx?page=231 or call (707) 588-2226.
|Posted by Sarah Amador on April 18, 2016 at 7:00 PM||comments (0)|
By Sarah Amador
Almost anywhere there are fishermen, you can find a four-hundred-year-old tradition that occurs each year when fishing season begins. Whether in Sicily, Australia, South Carolina, or California—as long as you are in a coastal town, you’ll have a chance to witness it. It’s the Blessing of the Fleet, and last weekend it occurred in Bodega Bay.
Twenty years ago, I witnessed the Sagra del Pesce in Camogli, Italy. I joined thousands in making a prayer not only for the boats and fishermen but also for personal wishes. I lit a floating candle, placed it in the water and watched it join hundreds of others, slowly pulled from the harbor to the sea. The wish was for my son; I was pregnant at the time. It might have done some good—my son is a young man now, happy, healthy and pursuing his goals.
Last Sunday, I attended in the 43rd celebration of the Bodega Bay Fisherman’s Festival (April 9th and 10th). A celebration of the start of the salmon fishing season, the festival includes a blessing of the fleet and the fishermen, a wooden boat race, wine tasting from 25 Sonoma County wineries, delicious seafood, live music and much more. The festival is packed with fun for all ages, with a Touch Tank Tide Pool, Jubilee Jumps, face painting, and the CHP Helicopter Rescue and Display. Craft booths offer excellent and eclectic art—I bought a beautiful blue agate pendant. Nonprofit and environmental organizations were also present to educate, like Stewards of the Coast & Redwoods, Russian Riverkeeper and the Bodega Bay Marine Laboratory.
Like many Sonoma County events, well-behaved dogs are welcome. There was even a pet parade, with llamas no less. Sipping an award-winning Sonoma County Pinot Noir, I relished the atmosphere. This was the Sonoma County I love—people sitting on hay bales, listening to live local music while feeding each other oysters, snuggled up comfortably with their dogs. Within 30 minutes of being there, my husband and I bumped into four people we knew. The festival is a place of community, a place to reconnect with friends.
My husband and I tasted nearly all the food, and it was excellent. Starting with garlic and buttered oysters, we proceeded to sample the fish and chips, along with the clam chowder from Fisheterian. Then we sampled more oysters, barbecued this time. After a while of walking and listening to music, we decided it was time for dessert. Three Twins Ice Cream hit the spot with the chocolate brownie fudge.
Run entirely by volunteers from the community, the festival supports Bodega Bay Area community services, from schools to fire departments to nonprofit groups. This year, due to the economic hardships suffered by fishermen’s families from the crab “hold,” the festival donated $10,00 from reserve funds to fishermen and their families.
For more information, visit http://www.bbfishfest.org. Make sure to mark your calendars for next April and be part of a blessed event!
|Posted by Sarah Amador on February 24, 2016 at 7:40 PM||comments (1)|
(To read this on my 101 Things To Do Travel Blog, visit http://101things.com/winecountry/sunce-winery-opens-sonoma-valley-tasting-room/)
by Sarah Amador
This Thanksgiving, my family and I talked about all the things we are grateful for. Like many families, we named blessings like family, friends, health, jobs, beautiful spots we either lived in or visited. We poured a rosé wine from Sunce winery that perfectly matched the flavors of the turkey, and I realized here was yet another reason to be thankful. The wines of Sonoma and Napa valley are renown throughout the world, and Sunce winery is one winery that helps make this claim to fame come true.
With the grand opening of a tasting room in Kenwood, now you can enjoy the gold medal artisanal wines of Sunce winery in more than one location. Their new tasting room is perfectly situated in Kenwood at 9580 Sonoma Highway, on the corner of Highway 12 and Warm Springs Road. In Santa Rosa, you can taste wines and play bocce ball at the estate Pinot Noir vineyard at 1839 Olivet Road.
At the San Francisco Wine Competition this year, Sunce won gold medals for their 2012 Montepulciano and 2012 Alicante Bouschet. Last year, at the Sonoma County Harvest Fair, Sunce won gold medals for their 2012 Cabernet Sauvignon and 2012 Merlot. The list of medals goes on and on, too numerous for a single page. Only 4 to16 barrels of each wine is made, equal to 100 to 400 cases per release. The list of varietals and classic wines goes on and on as well, with more than 30 different kinds produced by the family-operated winery.
There’s something for everyone,” Sunce wine club member Mark LaFranchi said.
I had the pleasure of attending their grand opening last weekend with my husband and friends. The drive to Kenwood along Highway 12 boasted scenic views of vineyards in their perfect fall state, full of liquid amber, golden yellow and fiery red hues. The new site provided views of vineyards, framed by the hills of Sonoma Valley.
Along with the sampling of small lot award-winning wines and new releases, the grand opening also offered barrel tastings of 2014 Zemija Blend (named after the owners’ youngest daughter), Pinot Noir, Tannat and a Cabernet Sauvignon. Agave Restaurant catered the event, offering delicious tacos and ceviche tostadas. If the wine and the award-winning Oaxaca-inspired food didn’t relax you enough, massage tables and chairs were scattered through the tasting room and deck, with expert masseuses ready to smooth away any lingering stress.
Fall colors, community and celebration. Friendship and food. And of course, we were all gathered there to sample Sunce’s delicious award-winning wines. I was delighted to discover that even though I had traveled over an hour from my Duncans Mills’ home, I was still surrounded by community. At the barrel tasting, I met one neighbor of three years that I had never met before. When a friend brought along a date, I met the younger brother of someone I’ve known for 12 years.
The 2012 Montepulciano offered a hearty, rich bouquet. The 2013 Nebbiolo glowed like an orange sunset in the glass, matching the colors of the vineyards across the road. It was full-bodied, and also slightly tart. The 2013 Bruenllo (a Sangiovese Grosso) was fruity and sweet, but not cloying. The Dolcetto (which means little sweet one) was tasty but not too sweet. There was quite a variety, and all the wines were smooth and full-bodied. After sampling classic wines and several varietals that were new to me, all with a rich velvety bouquet (just like I like my wines), I knew I had to talk to the winemaker.
It was a luminous experience. Winemaker and owner Frané Franicevic is a descendent of Croatian winemakers specializing in Zinfandel. In fact, winemaking has been a part of Franicevic’s family tradition for hundreds of years. The result is a winemaker that truly knows his craft. Talking with him, it is almost as if he knows the nature of the grapes themselves, and knows what they need to transform into great wine.
“You have to be patient with each step,” Franicevic ruminated. “You need good fruit, patience, and to be present in the moment, to the task at hand.” Franicevic continued to explain that it is impossible to remove the human element of winemaking, and to infer that this is what makes good wine, bringing awareness to the winemaking process.
And isn’t that what Thanksgiving is all about? Being aware of our blessings, doing our best to be present in every moment with a thankful, grateful heart? This is what I tried to do, as I played piano later in the week, sipping the excellent Sunce winery Merlot Port. The present moment was perfect.
To taste Sunce wines, visit their new tasting room at 9580 Sonoma Highway. Tasting hours are daily from 10:30 to 5:30. In Santa Rosa, you can visit the estate Pinot Noir vineyard and play bocce ball at 1839 Olivet Road. Tasting hours are daily from 10:30 to 5:00. For more information, visit their website at http://www.suncewinery.com or call 707-526-WINE (9463).
|Posted by Sarah Amador on February 24, 2016 at 7:35 PM||comments (0)|
(To read this on my 101 Things To Do Travel Blog, visit http://101things.com/winecountry/fun-in-the-sun-with-marin-shakespeare/)
by Sarah Amador
Aidan O’Reilly as Richard III at Marin Shakespeare Theater
Feed your mind. . .with outdoor Shakespeare theater. It was only 75 degrees when the doors opened at dusk for Richard III at Forest Meadows Amphitheater in San Rafael. In the setting sun, Mount Tamalpais was rosy in the distance, and the trees surrounding the stage glowed. Everybody loves to hate a bad guy, and there’s no better bad guy than Richard III. Interestingly enough, just this year the king’s bones were moved from a parking lot (which was once a battlefield) and buried in the royal cemetery at Leicester Cathedral. There still exists a heated debate as to whether Richard III was bad or not, since his enemies, the Tudors, were the victors and wrote the history the way they saw fit.
The cast did a fantastic job, fully exploring the woe and terror experienced at the hands of a tyrant king. This play reminded me of how encapsulated we often are from the true horrors of this world, and of what it would be like to live in other counties where tyranny and war rule. Aidan O’Reilly was mesmerizing as Richard III, fully exploring the horror experienced at the hands of a tyrant murderer. However, along with the heartlessness, O’Reilly deftly delivered the dry wit of his character. He had us often laughing in the midst of his nefarious acts, exactly as Shakespeare intended. What’s more, because O’Reilly is blind in one eye, he had to memorize every step of the intricate fighting scenes. Kudos is due to fight director Richard Pallaziol. Robert Currier also did a terrific job directing this play. Elena Wright shone as Queen Elizabeth, especially during the lamenting of her sons’ murders. Her confusion in response to Richard III’s inhumanity was exceedingly believable. Richard III runs through September 27, 2015. Make sure to catch it before this villain slips away!
For more information or to book tickets, visit marinshakespeare.org or call 415-499-4485. Forest Meadows Amphitheater is located at 890 Belle Avenue, Dominican University of California, in San Rafael. Parking is free.
Feed your soul. . .with a visit to the Sonoma Coast. The golden allure of our dramatic and romantic coast is what made me first fall in love with this area.
Enjoy a sunset with a glass of wine or with your dog. I did this recently, and the experience brought back to mind all the other times I’ve watched the sunset at the estuary. One time my husband and I saw the setting sun turn into a rectangle as it slipped down the horizon. Our county boasts some of the most breathtaking beaches in the world. Some of my favorite dog-friendly beaches are Blind Beach, Portuguese Beach and Wright’s Beach. Go to Gourmet au Bay to enjoy award-winning wines, as well as to sample excellent local artisan cheese. For fresh seafood, visit the Tides Wharf Restaurant, Fisherman’s Cove, Fishetarian Fish Market or Spud Point Crab Company in Bodega Bay. All are situated near the water. Fisherman’s Cove, the Fishetarian and Spud Point Crab Company are dog-friendly. You can even kayak with your dog with WaterTreks EcoTours at the estuary. If you are like most Sonoma County adventurers, a dog is most always at your side. And just think of this, if your dog is by your side, and your soul is being nourished, then most likely, your dog’s soul is being nourished too.
Have fun, and enjoy the warm evenings while they are still here!
|Posted by Sarah Amador on February 24, 2016 at 7:20 PM||comments (0)|
(To read this on my 101 Things To Do Travel Blog, visit http://101things.com/winecountry/don-quixote-poignant-poetic-and-playful/)
by Sarah Amador
How can a story be hailed as the first modern novel—and then be so ahead of its time it becomes the first postmodern novel? Well, Cervantes did it in1605. This month I traveled back in time 400 years, to a time when the curtain was closing on knights, chivalry and quests, into the mind of Cervantes. My husband and I were lucky to see the U.S. premiere of a new adaptation of Don Quixote, performed by the Marin Shakespeare Company of San Rafael. There’s still time to catch this premiere, as it runs through August 30th.
photo by Lori Cheung
Interestingly enough, Cervantes’ views don’t seem much different than the prevailing concerns of today. Our search for love, meaning, friendship, our desire to be understood—it never seems to change. Our human experience, it turns out, is timeless still, even with the advent of space stations and email.
Philip and Sarah at Marin Shakespeare’s production of “Don Quixote”
As we sat at the Forest Meadows Amphitheater, the sun began to set behind the oak trees. I was grateful for the pleasant summer weather and the cushioned seat we purchased (only $1!). The play began, and nearly at once I understood that there was going to be a golden nugget of truth for everyone in the audience. Poignant, poetic and playful, the play covered it all.
When asked to adapt Don Quixote, playwrights Peter Anderson and Colin Heath might have thought they were engaging upon a task as futile as Quixote’s quest for love, but they did it! Perhaps visited by a muse, perhaps privy to some ancient writer’s spell, but somehow they took what is hailed as the best literary work of all time (a work that also helped cement the modern Spanish language and inspire Shakespeare), reduced it by 1300 or so pages, and turned it into a play.
The originality of this new adaptation was also achieved by mask maker David Poznanter, who studied with internationally renown mask maker Matteo Destro in Italy. After making a positive mold of each actor’s face, Poznanter hand-crafted 25 theatrical half-masks out of paper mache. The magic of masks enabled five actors to play 15 characters!
“The actor’s face should disappear so that the character is able to emerge—that’s the magic,” said Poznanter about his masks.
photo by Lori Cheung
The masks, whimsical, comical, and sometimes tragic, greatly contributed to the theme, “What is fantasy, and what is reality?” The director also had them reacting to situations like puppets would—with exaggerated expected responses of “ooh,” “aah,” and “oh.” At times, I imagined them puppets on a stage, just like Shakespeare described life in Macbeth. “Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more. It is a tale told by an idiot, full of sound and fury, signifying nothing.” (Shakespeare was undoubtedly influenced by Cervantes, as Don Quixote was widely read and reprinted in Italian due to its popularity. Both writers wrote during the same time and died within a month of each other.)
The minimalism approach to props also left me questioning reality. Was the horse supposed to be real or was it simply a pole with an inverting watering can balancing on its tip? Had Quixote already lost his mind that far? Were the sheep pillows or were they really sheep? Were the windmills merely ladders or really windmills? Hmmm.
Poznanter also has a background of working with Cirque de Soleil as a circus artist and performer. In fact, the circus may have inspired the Don Quixote performance on many levels, since both playwright Colin Heath and award-winning actor Ron Campbell have played clowns in Cirque de Soleil Kooza productions.
Campbell was excellent in his portrayal of Quixote, providing a great sense of timing and stage presence. We were able to sympathize with Quixote, and even “see” into his imaginative visions. Campbell delivered the beautiful poetry of Cervantes equally as well as he did the bawdy, earthy humor. Special mention should also be made to Sonoma county native actor Rick Eldridge. Eldridge played many roles—and played all of them well!
Perhaps the truest magic for me was when sidekick Sancho Paza lamented for the death of Quixote’s dreams, dreams that Paza steadfastly supported until he believed in them too. John Lewis played Paza, and gave a poignant portrayal of true friendship. It was heart-felt and sweet to watch Paza’s dedication to someone else’s dream, and the depth of his compassion.
If you can’t make the premiere of this new adaptation of Don Quixote, be sure to catch Richard III, from September 5th to the 27th. I hope to see you there!
This year marks the 26th year of the theater company performing under the summer stars. But that’s not all they do. The Marin Shakespeare Company has an extensive outreach program, offering acting classes to public elementary schools and at risk teenagers. Their Social Justice program provides acting classes to incarcerated men, culminating in a Shakespeare performance.
When you visit, be sure to plan a fabulous picnic, as picnics are encourage one hour before the show. Snacks can also be purchased at the Theatre Cafe. Warm clothing and blankets are recommended for evening performances. Padded seats for the wooden pews can be purchased at the Theatre Cafe for just $1.
photo by Lori Cheung
For more information or to book tickets, visit http://marinshakespeare.org or call 415-499-4485. Forest Meadows Amphitheater is located at 890 Belle Avenue, Dominican University of California, in San Rafael.
ts, visit http://marinshakespeare.org or call 415-499-4485. Forest Meadows Amphitheater is located at 890 Belle Avenue, Dominican University of California, in San Rafael.
|Posted by Sarah Amador on February 16, 2016 at 7:40 PM||comments (0)|
(To read this on my 101 Things To Do Travel Blog, visit http://101things.com/winecountry/experience-the-ahhhh-at-osmosis-day-spa/)
by Sarah Amador
Be sure to catch the next Sonoma County gem on August 19th—an evening of wine, foot baths, music and dinner at Osmosis Day Spa Sanctuary in Freestone. From 6 pm to 9 pm, guests will be serenaded by the Latin-soul-jazz inspired music of Rupa Marya in the meditation garden and enjoy a farm-to-table dinner catered by Fork Roadhouse Restaurant. For only $35, it’s an zen-loving and foodie’s dream come true. This event is only one of many, so be sure to check their website (https://www.osmosis.com/events/) for upcoming events.
For those of you who haven’t been to Osmosis, you’re in for a treat. After visiting the day spa last Sunday, it’s my opinion that Osmosis should be written “Ahhh-smosis.” At least, that’s how I was pronouncing it by the end of my visit. Instead of taking your breath away, it brings it back to you. Suddenly, time stretches, an hour seems like three hours, your mindfulness seeming to expand with each deep, restful breath.
In our crazy, hectic world, a sanctuary like Osmosis is most needed. Osmosis claims it offers a “pathway to peacefulness.” However he did it, founder Michael Stusser created that pathway, and I walked on it for a while. It was easy to connect with nature as I sat in the Kyoto-style meditation pagoda overlooking the koi fish pond, lured further into peacefulness by the sounds of bubbling waterfalls and chirping birds. For a long time, I watched the red dragonflies zip across the ponds and drink. I watched the golden and red koi fish dart around the white lilies and wiggle up the sides of the pond to nibble algae.
My treatment was the unique Cedar Enzyme Bath, a bath actually made up of soft ground cedar, rice bran, and living enzymes. If you’re like me, you love trees. Love to climb them, meditate in them, read books under them. But how often can you say you’ve been encased by a tree? This fermentation bathing ritual originates from Japan, and Osmosis is the only spa on our continent that offers the treatment. It’s the strangest, softest feeling—imagine stepping into a sauna that has been turned into soft fluff, then imagine the fluff pillowed all around you. When you move, it heats up because you are activating the enzymes which then stimulate metabolic activity inside and out. The Cedar Enzyme Bath is known for improving circulation, relieving muscle pain, and deeply cleaning your skin. During the treatment, my attendant Ariel was most attentive, placing cold towels on my face and serving me water with electrolytes to help restore the toxins leaving my body.
Before I began the process, I was served a tea made up of nettle, herbs and digestive enzymes, meant to begin the process of cleansing from the inside out (in simple terms, designed to make you sweat). I was served the tea in a room overlooking my very own private Japanese tea garden—which I promptly walked into, exploring the tiny arcing bridge and the shape of the rocks, the tranquil waterfall, the sculpted bonsai trees.
After my Cedar Enzyme bath, I received a brain-balancing Hemi-sync sound therapy session on a wide, padded hammock. As I laid there, listening to a soundtrack titled, “Wind Over Water,” I watch the wind move the trees, and then felt it move me, slowly, back and forth. I don’t think I ever have watched the willow trees of Salmon Creek quite as intensely as I did last Sunday. Cabbage butterflies flitted together; an occasional hawkcircled overhead. I wasn’t really sure when the 30-minute soundtrack ended and the real nature sounds began, since there was still the sound of wind, birds, and an occasional chime. The smile that had been forced to my lips at the beginning of the day now floated permanently, effortlessly across my face.
When you visit, be sure to check out their membership club. One club option is a 75-minute Swedish massage once a month and unlimited access to the tranquil gardens—all for only $99 per month. An organic lunch (catered by Fork Roadhouse) can be savored while you sit overlooking Salmon Creek. Meat-loving and vegan options are available.
For tickets to the August 19th outdoor concert and dinner, or to schedule your next spa treatment, contact Osmosis at www.Osmosis.com or call 707-823-8231. The day spa sanctuary is located at 209 Bohemian Highway in Freestone.
Though absent long,
These forms of beauty have not been to me,
As is a landscape to a blind man’s eye:
But oft, in lonely rooms, and mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart,
And passing even into my purer mind
With tranquil restoration.
— William Wordsworth
“Lines Composed a Few Miles
above Tintern Abbey”
|Posted by Sarah Amador on February 16, 2016 at 7:30 PM||comments (0)|
(To read this on my 101 Things To Do Travel Blog, visit http://101things.com/winecountry/the-magic-of-mary-poppins-returns/)
By Sarah Amador
photo by Eric Chazankin
Did you grow up believing in the magic of Mary Poppins? I did. Most of us have grown up with the story. I still know most of the movie songs; my son knows them too. My mother and I liked Mary Poppins so much that we went to see Saving Mr. Banks, the movie about the Disney movie. Even my teaching style is patterned after Mary’s carpet bag of tricks. For most of us, young and old, she’s in our hearts.
Recently, my son and I went to see the Broadway musical Mary Poppins at the Spreckels Performing Arts Center in Rohnert Park. I would say the play was supercalifragilisticexpialidocious, but that’s the word you use when you don’t have the words to describe something, and I do—it was brilliant! If you didn’t get to see this musical based on the children’s books by P. L. Travers and the 1964 Disney film, then don’t fret. Audiences loved it so much that Spreckels is bringing it back for six encore performances, from August 21st through August 30th. If you go, you’re in for an additional treat because the summer youth camp students will join the big dance numbers of Supercalifragilisticexpialidocious, Step in Time, and Jolly Holiday.
photo by Eric Chazankin
From the moment we entered the sold out performance, my son and I could feel electricity in the air. I kept wondering, how on earth would they create the marvel of Mary Poppins on stage? Soon the live orchestra began playing the familiar score, the curtain went up, and the play began. The Banks’ children, played by Andi Luekens and Nicholas Sevier, delivered their lines admirably, not overdone, as can happen often with child actors. Their singing was beautiful, and they kept their accents going throughout the play. Plus, they looked just like the kids in the movie! I don’t know why this made me happy, but it did.
When Mary Poppins arrived on stage, the real magic began. Heather Buck played Mary Poppins, and was truly “perfect in every way,” including having perfect pitch and singing like a songbird. I recognized this actor from the recent production of Bonnie and Clyde at 6th Street Playhouse. She had stood out for her spot-on acting and singing.
The magic of Mary Poppins was further brought to life by intricate stage effects. Spreckel’s Technical Director, Eddy Hansen, did an amazing job, making full use of a Paradyne projection system that combines still images and animations. For instance, when Mary arrived, we watched her slide sideways along the bannister. When she took out a toy-size bureau, the screen transformed it into a full-size one. During Feed the Birds, several fake birds on the stage seemed to walk into a nearby projection screen. Soon the birds were flying from one screen to another, gaining in number till they filled the sky. The audience seemed taken up with them; I could hear lots of children’s “oohs” and “ahhs” all around me. During the bank scene, the sun glowed through an immense golden dome, the rays of sunshine so real I could almost feel them.
The mechanical effects were impressive as well. When Mary set her carpet bag on the bed, she pulled out a real hat stand and tall potted plant. During the Spoonful of Sugar song, dishes fell, the cake slipped off the plate—and Mary magically fixed all of it, sending the objects back where they were. Toys became as big as humans and walked up out of a toy box. With the help of cables, Mary Poppins, Michael, and Jane flew.
I tried to stop comparing the movie with the musical, but it was difficult. I felt relieved when Mary still spoke to birds and dogs. When the song Jolly Holiday began, I kept waiting for the penguins to appear. Statues were coming to life, but where were the delightful dancing tuxedos? Finally, I whispered to my son, “What happened to the penguins?”
“That’s from the movie, mom,” he said. If there had been more light, I’m sure I would have seen him rolling his eyes from my obvious lack of knowledge. “The scene with statues is from the book.”
Another surprise was the Supercalifragilisticexpialidocious number. Never having read the books, I had no idea that the word came from an “inbetween world” shop that sold conversations and letters. As an English teacher, it makes me happy to think of a shop like this.
For me, the only thing that the movie did better was by making Mrs. Winifred Banks a suffragette. In the musical she is a wife who gives up a career on the stage. Nowadays, Mrs. Banks would be able to find a way to be on the stage and be a wife and mother. Maybe Mr. Banks would work part-time. Perhaps Mary Poppins would stay on, and still see the children, say during rehearsal times.
The familiar numbers A Spoonful of Sugar, Let’s Go Fly a Kite, and Feed the Birds were just as delightful as the movie. I have to admit that during the song, “Feed the Birds,” it was impossible not to hum along. Choreographer, Michella Snider, did a fantastic job. At least 20 actors danced on stage during Supercalifragilisticexpia-lidocious and Step in Time.
Dominic Williams gave a top-notch performance as Bert, and Mary Gannon Graham was superb in her comedic portrayal of the “Holy Terror” nanny, Miss Andrew. The Brimstone and Treacle vs. Spoonful of Sugar number with Graham and Buck was lovely. I’d gladly go anywhere to hear Graham sing!
Near the end of the play, Mary flew again. When her umbrella-and-hat shadow was reflected in the light of a full moon, chills ran up and down my arms. The curtain came down, and I’m pretty sure I watched some children take part in their first standing ovations, hooting and hollering. They loved it! The cast returned to the stage, and sang Supercalifragilisticexpialidocious with the audience. Finally, I got to sing without being shushed by my son. Director Gene Abravaya also joined the cast and sang. Afterwards, he spoke about the age of tunnel vision (into three-inch phone screens), and how necessary it is to keep performance art alive.
Be sure to check out Spreckel’s 2015-2016 Season that includes A Little Princess, Treasure Island, Little Women, Wait Until Dark, and Disney’s The Little Mermaid. The theater will continue using their Paradyne projection system for many shows. For more information visit Spreckels Performing Arts Center’s website, http://www.rpcity.org/index.aspx?page=231, or call 707-588-3400. Parents can also call the box office to enroll their children/aspiring actors in the summer youth acting program. The theater is located at 5409 Snyder Lane in Rohnert Park.
|Posted by Sarah Amador on February 16, 2016 at 7:25 PM||comments (0)|
By Sarah Amador
It was going to be the perfect date, a gorgeous Sonoma County wine country day. All around us the sun glowed, nothing but blue skies did we see. Ahead was the promise of superb wine, a cave exploration, and a Lake Sonoma visit. I had planned this date with my husband, and it was going to be fabulous!
We began our trip in Duncans Mills, winding our way east through the Russian River Valley vineyards of Westside Road. Our destination was Fritz Underground Winery, nestled in northeast in Dry Creek Valley. A picnic basket was packed with brie, apples, dried fruit, salami, nuts, bread, and chocolate—all we needed now was the wine. The hills shone like emeralds; the flowers bloomed in every color; the birds cavorted and flirted with each other. Soon we would enter a wine cave, sample hand-crafted delicious award-winning wines, and eat our picnic. I was especially looking forward to tasting the wines created by winemaker Brad Langton, who has won many gold medals for his alchemy. I could hardly wait!
When we arrived, I knew my perfect date plans were working. Built into the side of a hill, the winery itself is picturesque. With the the view of vineyards, sloping hills, and a natural spring, I almost felt as I had been transported to Italy. Upon entered the wine tasting room, we immediately enjoyed the relaxed, inviting atmosphere. Our wine tasting began with the 2013 Estate Sauvignon Blanc, rated 92 points. This gold medal winner offered aromas of white peach and orange blossoms. Next came the Russian River 2012 Pinot Noir, a double gold medal winner that tasted of black cherries and pomegranate.
All the grapes for Fritz’s wines are grown in Sonoma County, mostly from the winery’s 112 acre estate. For Chardonnay and Pinot Noir, the grapes primarily come from the Russian River and Dry Creek Valleys. One of my favorites was the 2010 Reserve Zinfandel, created from 30-year-old vines. The flavors of red cherry, black currant, and cocoa swirling in my mouth was delightful.
One of the oldest wineries in Dry Creek Valley, Fritz Underground Winery was also one of the first to be energy-efficient. In 1979 founder Jay Fritz had the foresight to utilize gravity as well as the cool temperatures created by a wine cave. The gravity-flow production system is constructed on three levels. The crush pad is situated on the roof, and the fermentation tanks are below ground. When the juice is ready, it is sent from the tanks to the second underground tier (the cave) for barrel aging. This process allows the winery to handle the grapes as little as possible, allowing for natural flavors. The winery maintains it is this use of natural elements and forces that keeps the delicate nuances of their terroir present in their Pinot Noir and other prized estate fruit.
Now it was time for a tour to see the winemaking process for ourselves. As we stepped into the cave, I couldn’t help but think, just how primordial is it to enter a cave? From the beginning of time, the cave has set the scene for our self-discovery, the subconscious, or just plain protection. The smell of wine and oak mingled as we passed the wine-stained barrels, our voices echoing off the rough–hewn walls, our shadows stretching. As we went further into the wine cave, the temperature became decidedly chilly. We learned from our guide that the cave allows them to utilize the naturally even, cool underground temperature for optimal processing and barrel aging of the wines. The use of gravity instead of pumps also enables the winery to save electricity. A natural spring supplies simple irrigation.
Afterwards, we took our wine and lingered over our picnic, soaking up the views of the spring and oak-studded hills. When it was time to go, we drove to our last destination, Lake Sonoma. After only about five minutes, we arrived at a picnic table overlooking the lake. The sunset had just begun. It was that golden hour when everything seems illuminated from the inside out. The birds were still serenading each other; the flowers continued showing off their colors. My husband and I held hands, watched the sun slip down behind the mountains and shimmering lake, and I gave a deep satisfied sigh. It had been the perfect date.
For more information about Fritz Underground Winery, visit http://www.fritzwinery.com or contact them at (707) 894-3389. Be sure to check out their newly remodeled wine tasting room, particularly the bar topped with white-washed elm. The winery is located at 24691 Dutcher Creek Road, Cloverdale.
|Posted by Sarah Amador on February 16, 2016 at 7:20 PM||comments (0)|
(To read this on my 101 Things To Do Travel Blog, visit http://101things.com/winecountry/memorable-theatre-at-6th-street-playhouse/)
By Sarah Amador
The night was dark, and the theater was full of the smell of gunfire. There were hold-ups and shoot-outs; spilled blood, breadlines and desperate times; an outlaw couple crooning and canoodling just about everywhere (in the car, in the bathtub, in a meadow); and a musical score combining rockabilly, blues and gospel music.
See Bonnie and Clyde, the Musical, at 6th Street Playhouse
No, I wasn’t back in West Texas in the 1930s; I was with my son at 6th Street Playhouse watching the musical Bonnie & Clyde. This production reveals the playhouse’s mission to works both new and old, as this musical is practically brand new, premiering in La Jolla, California, in 2009 and going on to Broadway for a short time. Bonnie & Clyde also continues the season’s “Coming Home” theme, a celebration of stories uniquely American.
I’ve been to 6th Street many times, and as always, the actors sang, danced and acted their hearts out this night too. There’s a reason that 6th Street Playhouse was voted “Best Local Live Theatre Company” of 2014 by the Press Democrat readership, “Best Theatre Troupe” of 2012, 2013, and 2014 by the North Bay Bohemian, and “Theatre of the Year” of 2011 and 2012 by broadwayworld.com San Franciscan voters. If you go, be prepared to be entertained.
Before curtain rose on the second act, I looked around and thought about the other times I had sat there. Tonight my son was next to me, but the last time we were here together, he was still in high school and we were watching hilarious scenes like “That Face” and “Along Came Bialy” from The Producers. Another time it was my mother and husband sitting next to me, about to watch my son in 6th Street’s youth ensemble production of The Producers. I remember my son playing the insulting boss Mr. Marks, stamping about the accounting firm as his employees sang sadly at their gloomy desks. During a performance of Singing in the Rain, I had sat in this theater with my husband and watched rain—real water—fall on the actors. I have this memory of my son tap dancing in the rain in perfect time with the rest of the umbrella-clad cast on stage—it was amazing!
My son’s passion for acting was strengthened and guided through two summer productions with 6th Street’s School of Drama. One of the great things about the Playhouse’s School of Drama is that the young actors use the same sets and theater as the professional production. This makes the performances really authentic for the young actors. The School of Drama is part of the playhouse’s mission to offer a nurturing and challenging atmosphere where actors (young and old) have an opportunity to learn, grow, and express themselves through the craft of theatre.
This last weekend, 6th Street Playhouse celebrated their ten year anniversary with a Back to the Future one-night performance that highlighted past shows and gave glimpses to upcoming ones. 6th Street Playhouse was formed in 2004 from a partnership of Sonoma County’s oldest theater group (the Santa Rosa Players) and Actors Theatre. Together these actors renovated the 107-year-old Del Monte cannery into the current playhouse. They did an incredible job, earning the Sonoma County Historical Society Award for Preservation of a Historical Building for the renovation. In 2005, the playhouse opened with the production of Mame.
photo courtesy 6th Street Playhouse
6th Street has also won the City of Santa Rosa Award for Cultural Enrichment. Additionally, our local writers are supported through the Playhouse’s annual Redwood Writers play contest and Wine Country Play Festival. Winning playwrights receive full production of their plays and two tickets to the New Voices on the Vine: A Wine Country Play Festival.
However, this award-winning theater is in need of our patronage. This season, they have had to cancel four productions in the Studio Theatre due to lack of funds.
The playhouse’s 2014-2015 season continues with The Graduate, Crazy for You (A Gershwin Musical), New Voices on the Vine, and Buddy, the Buddy Holly Story. The Spring Youth Production of Shrek the Musical JR will perform on April 17 and 18th, and in August, our young actors will perform the Wizard of Oz.
So, fellow Sonoma County enthusiasts, already tired of wine tasting, gourmet eating, kayaking, and hiking? Want a fun night out with family or that special someone? Wish to make memories to last a lifetime? Support the actors of our community, be part of the GO LOCAL Sonoma County effort, and go see a play!
For tickets or more information, visit http://www.6thstreetplayhouse.com/home/ or contact the playhouse at (707) 523-4185. 6th Street Playhouse is located northwest of Railroad Square at 52 W. 6th Street, Santa Rosa.